Shaun: Yes it is as simple as that, I think. There’s a few ideas for stories that I would like to turn into other feature or into a mini-series or even…So yeah there is. How much of a ghostly presence does it play here? Is this the right thing to do? This isn’t the answer to all of my prayers at all.’ In a way for me, I think that’s way more heartbreaking, that you can’t be happy with anyone, rather than this, will they won’t they, which I personally think has a shelf life. Then I came back. MASTERPIECE Studio on Apple Podcasts. Rebecca Eaton I binged it. this book is about young people with raging hormones. It’s that. Colonel Crater: Great Scott! Newton Minnow I hope the MASTERPIECE Theatre is around another 50 years at least. That’s a good question, it certainly is. Jace: There’s another beautiful moment in this episode when Morse and Thursday discover the old black Jaguar at the shop, and are told that it’s had its day and will be turned into scrap and spares. Education Shop. ‘Let’s have a line on, this is where I think people will come in from, should we have a little rehearsal and play with it?’ ‘Yeah, so if nobody’s got a better idea, let’s try that. And then when I’m finished on this trip, we’ve arrange to have a cup of tea together, to sit down and discuss where the story is, what else we feel like we want to achieve with it. So whilst that might be true what you say about Thursday, I think it’s like, when you see someone from your past and they know you, and you’re sort of in denial about things, but they see right to the heart of it. MASTERPIECE, the beloved drama series on PBS, has announced the launch of their new podcast titled “MASTERPIECE Studio.” Billed as “your backstage pass to your favorite programs — Downton Abbey , Sherlock and more,” the podcast will give an insider’s view to some of the most popular shows presented on MASTERPIECE. You know how it works. Jace Lacob: I’m Jace Lacob, and you’re listening to MASTERPIECE Studio. Jace: I think it’s a good change because it is a momentous moment for mankind. Endeavour: “Robbery? Hosted by Jace Lacob, this 3-part documentary podcast features behind-the-scenes stories and interviews about the last 50 years of MASTERPIECE | PBS.Listen here, or wherever you get your podcasts. That could be an opportunity for us to call it a day. Particularly as there’s no love lost for him at Division. MASTERPIECE Theatre was supposed to premiere on PBS on January 10th, 1971. PBS 'Masterpiece' Exec Producer Rebecca Eaton Steps Down After 35 Years Courtesy of PBS Susanne Simpson will take over the PBS franchise, … Lacob, of LA, has won four Webby Awards as co-creator and host of the “Masterpiece Studio,” a companion podcast launched by GBH in 2015. He’s a great…I love the character of Strange, I think he’s terrific. How did this come about exactly? Download and subscribe on: iTunes | Stitcher| RadioPublic. We’ll take it from there. Watch the preview on MASTERPIECE PBS's … And you might not want to address that. It’s all good. Someone you’ve lusted after for five years and then she’s like, ‘You know it’s…’, Shaun: Yeah,totally, or even if it’s him it’s like, ‘What’s this here?’. Jace: Series creator, executive producer, and head writer Daisy Coulam returns to the podcast for a tantalizing preview of a season that sees the departure of the Reverend Sidney Chambers. And Thursday is having a pretty terrible time. I had a beard at the time as well, so it wasn’t like a major bowleg like to just shave part of my face. I wanted to achieve exactly what I’ve said and exactly what you’ve picked up on, what I didn’t want is that for it to end, for people to, ‘Why is he asleep in the back of his car? I’ve shit ‘em.’ Wasn’t it? Soraya Nadia McDonald God, that would be incredible. Find out about new shows, get updates on your favorite dramas and mysteries, enjoy exclusive content and more! It’s representative. If I saw that in the cinema then I’d be pleased with it you know?’ So yeah, yeah yeah. You directed three episodes of Casualty before this. Yeah, without a doubt. You know where everyone needs to be, in order to service the story, so then it’s kind of thrilling to have the opportunity to decide where the camera goes and to tell the story from another point of view. Jace: It does make sense. We’re just saying it from different points of view. Jace: I love the scene at the fete, where Joan tells him that he doesn’t look like himself. Morse is now sporting a rather era-appropriate mustache. Jace: I mean how do you react to such scrutiny? Yeah, that’s what we’re trying to achieve with it. Two reasons, really, I think. You know? Jace: Now Morse and Thursday cross paths almost immediately in the first episode. Things well-made. Thank you for having me. Shaun: Maybe? But I think that it speaks more to a real inability to form a lasting romantic relationship if you do that. I don’t want you guys close to me to see how humiliating this is.’ But also you know you’ve got to remember that he said, like twice or even more times, he said, ‘Will you marry me?’ He’s followed her up to a roof thinking there’s gonna be a romantic moment, and she’s like, ‘So I’ve got this friend I’d like you to meet.’ I mean there’s gonna come a point where I think you’re like, ‘This is done.’. That was kind of an easy, natural step without any nervousness or without any anxiety, it just felt. I remember reading an article where he was saying, because he very rarely makes a film, I don’t know if he finds it difficult to get funding. And speed. So it’s him, in a way, you know what I mean? Receive our email newsletter to get schedule updates, exclusive features, and news on shows including Atlantic Crossing. In terms of where he’s up with the case, and where he’s up emotionally because he’s at the beginning and end of each of them, and he’s the spine of it, in a way. Episode two of MASTERPIECE | PBS' documentary podcast, Making MASTERPIECE is now live!. Television. So to having different stories in your mind at the same time? Also it raises questions as well if he’s listening to that on the radio, he can’t be asleep in the back of the car. Why does Morse want to hurt Joan here? Jace: Well no, and the moon, of course signifying change and waxing and waning. I also think they’ve a very close bond. Basically how it comes about is when we finish a season, we have the opportunity to assess whether there is still a story to be told, whether there’s still an audience. Would this be the end of Thursday’s career entirely, the destruction of his reputation as a copper? But what I don’t want to be is like the last person at the party. Do you know what I mean? Someone’s putting it out to pasture, so it’s to do with that, really. But there’s always a point where Thursday will say will say, ‘Oh here’s your notebook back, like, ‘It’s cool man, no one needs to see it,’ whereas for Endeavour it’s like, well in for a penny in for a pound, there is no gray, it’s black or white, and this is what we do, you know. I think this season will bring you to film number twenty-seven. MASTERPIECE Studio is your backstage pass to the PBS series—from Sherlock to Poldark. Jace: Shaun Evans, thank you so very much. Jace: That too. ‘Endeavour’ Writer Russell Lewis Already Knows Who Dies Next. Jace: And that there’s something broken within him. Yes, PBS has given us many treasures … Jace: Given the format, given that this is sort of a 90-minute film, has it given you a taste for what it might be like to direct a feature film? Shaun: Because that speaks about you. Funding for MASTERPIECE is provided by Viking® and Raymond James, with additional support from public television viewers and contributors to The Masterpiece Trust, created to help ensure the series' future. There’s something about it, those three things which I just find I don’t know, like kind of intoxicating you know? Showed us how they would have used the studio, and how the puppets would have been shot and how they move and how to get the best out of the moment and all. Bright: The driver’s a Professor Adam Drake. MASTERPIECE Studio is hosted by me, Jace Lacob and produced by Nick Andersen. He explains how he did it — and how his Endeavour Morse continues to crack complicated cases — in our new interview. Andrew Davies And we were saying. It’s tricky. There’s, as you said about loneliness, there’s just this sense of innate, intense loneliness and isolation embedded in the single image. Jace: Do you think that Morse has become a painful reminder of what Thursday’s life was before? I hesitate to say a father son relationship but there’s definitely an intense bond between the two of them. Released June 23, 2019June 25, 2019    33:08. You can say, ‘Well we’ve done that, is the story still there?’ Is there still a story to tell?’ And so like I said, I want a bit of peace first. Jace: The dynamic between Morse and Joan Thursday has provided a romantic spine to the series thus far. If I fitted up Phil Clemence, who else have I fitted up over the years? I mean I knew nothing about that, like my childhood cartoons were like Thundercats, and so I wasn’t really into supermarionation, is what it’s called, and so I sought the guidance of an expert, who was incredibly helpful. To be a good cop, to be a good person, we have to be on the right side of things. And that spirit then just goes into directing it as well. And then has been put back in uniform despite having solved all of these cases the cream is not rising. Colonel Crater: What did that box of wires and lights say? Thursday, unable to retire, has been demoted. And then you have this person alone in the car in Oxford, lonelier than the man on the moon. Crystal Clarke Crystal Clarke. I like being a part of something. That, coupled with being in uniform at the beginning of this series, I thought yeah, you know, it’s good to just take it to a new place. How much of this is as a knife to the heart for Thursday? And he’s found no one in that circle who can do it in the same way that Endeavour can. Shaun: Incredible, incredible, you know. Watch the preview on MASTERPIECE PBS’s YouTube channel. ET on PBS’ Masterpiece; subscribers to PBS Passport can watch all eight episodes the night of the premiere. Jace Lacob: I’m Jace Lacob, and you’re listening to MASTERPIECE Studio. Do you see Endeavour running for more than 33 films, or are you approaching sort of the natural end of this story? And then it seemed the next step to making, to become a producer. How challenging is it ultimately to direct yourself and keep this keep this train on the tracks? I pay little or no attention to it. Also, I think you’ve gotta, what I didn’t want, again it’s about being clear about what you’re trying to achieve, right? Jace: Shaun Evans slipped behind the camera for this episode midway through the sixth season of Endeavour, playing both the fictional detective and the real-life director for a change. And also, what a rare and beautiful opportunity, you know, so like, just quit your bitching and just make the most of it. MASTERPIECE Studio is your backstage pass to the PBS series—from Sherlock to Poldark. We caught up with him by e-mail to ask about “Masterpiece If that makes sense? Download and subscribe on: iTunes | Stitcher| RadioPublic. So I do appreciate that. He’s being told he’s passed his sell by date. 171 episodes. So you have all these logistical questions, like practical questions at all. I mean I know that’s kind of a facile think to say, you know, just a uniform and a ‘tache, but that’s what you have an opportunity with longform stories to do that, and the audience will will go with you as well you know? However, in this one, we are coming towards the end of all of these stories, the change is he’s let this person in, and is willing in a way, to compromise himself for them. Elizabeth McGovern There’s something about that picture that made me want to be an actress. So you have no chance to make peace, and I think that weighs pretty heavily, certainly, on Endeavour, but in fact guilt is there throughout, I would say, in this one. I could totally see that on PBS. The series has presented numerous acclaimed British productions. And how it’s affected all of us as well, I suppose. Also for something like this, I want to make the most of the opportunity. Thursday: A sergeant doesn’t question a Detective Chief Inspector’s fitness to lead an inquiry. The MASTERPIECE Studio podcast is your home for exclusive interviews, behind-the-scenes stories and backstage insight for the beloved PBS series. So I just try and avoid it, you know, so I’m just kind of thinking about the job. Because that is his, that’s his fate. I mean, this is an incredibly bright guy who’s constantly being shat upon at work, right? I personally think that it would be interesting to have these two people begin a relationship and to have a night of passion and then the next day or a couple of weeks later, they’re like, ‘Oh this isn’t what I thought it would be. Masterpiece Podcasts Making MASTERPIECE is the full story of how public media’s favorite place for the best of British drama went from crazy idea to a franchise 50 years strong. Jace: Coming up next on MASTERPIECE, we start a brand-new season of mystery in another British university village — Grantchester begins July 14 with a special two-hour premiere. You’re approaching that sort of magical number of 33 which your predecessors achieved in their respective sort of Morse Universe series. Terms of Use: PBS is a 501(c)(3) not-for-profit organization. What is Strange’s end game exactly? I would say that Strange is the puppet master to a degree but it’s only one small part of his journey throughout the whole story because I don’t know if you know the books. So the ghost of that is certainly over the whole thing. That’s my point exactly. As difficult as possible, both professionally and personally, as well, to really make them suffer in a way. Sidney: The silence in this place used to fill me with joy. You should have left at midnight, you know what I mean? She’s busy, her life moved on. And I think throughout the whole series what we’ve tried to do do throughout this series is, there’s often a moment where there are different kinds of cops right and it’s different kinds of policing. Is he leaving it in God’s hands, whether the case is found again? So it’s twofold really, it’s twofold. Major Renton: X1 says if we can beam our signal off the asteroid, we might be able to find Barbara’s homing beacon. Jace: What was it like directing Roger Allam in this episode? Morse in his car listening to the moon landing on the radio in front of the Radcliffe Camera. Just search for MASTERPIECE Studio on Apple Podcasts, Stitcher, or Spotify… or find it wherever you listen to podcasts, or at pbs.org/MakingMASTERPIECE. Those are the opening lines for the teaser trailer for the new podcast “Mining Poldark.” As the beloved British period drama series heads toward its fifth and final season this fall on PBS, MASTERPIECE is launching “Mining Poldark,” a new podcast series to relive the romance, the swashbuckling adventure and the exploits of our flawed hero all over again. Of course, Thursday is not in the books or indeed in the TV series, so we’re attempting to bridge that particular gap on this. Jace: Is this a Pandora’s box of a sort? Find out about new shows, get updates on your favorite dramas and mysteries, enjoy exclusive content and more! Jace Lacob January 10th, 1971 was a Sunday. Elizabeth McGovern Elizabeth McGovern. Jace: Endeavour discovers Clemence’s missing sample case hidden in the church organ loft and brings it to Thursday telling him that he was right. Jace: Evans joins us to discuss direction, detection, and where his Endeavour Morse is headed in another dizzy season of Oxford mysteries, moon landings, and murders. Jace: Morse gets transferred from Woodstock to Castlegate though he’s puzzled about who is behind the transfer and why. It’s an opportunity he found thrilling. After the show, turn off the TV and tune in to MASTERPIECE Studio for the scoop with host Jace Lacob. Hosted by Jace Lacob, this 3-part documentary podcast features behind-the-scenes stories and interviews about the last 50 years of MASTERPIECE | PBS.Listen here, or wherever you get your podcasts. Jace: And we are joined this week by Endeavour star Shaun Evans. Shaun: It should be, but I also think it should be…it’s representative, right? And is still there at three o’clock, going, ‘Wayyyyyy…’. So you’re just free then, and you’re not self-conscious about, you know, people taking your picture or being under scrutiny so I kind of, I really don’t give it a second thought. Shaun: Yes, I think so but also, I think it’s Thursday not getting any purchase from the rest of the team. He’s had a makeover. Jace: That brings us to episode two, “Apollo,” which is directed by none other than Shaun Evans. If that’s 27, then that’s cool. She hasn’t got time for him any more. Shaun: To save Thursday, without a doubt. I was doing a play a couple of years ago. At the same time. Jace: I love the framing of the shot of Morse as he comes into Castlegate with his box and finds it empty. But also, I don’t know, it’s just a fascinating thing, isn’t it, the moon? Thursday: That’s not how they’ll see it upstairs. Starting Sunday, Jan. 12, “Sanditon” will air Sunday nights at 9 p.m. As indeed are all of the cast now at this point, especially Rog. How Thursday feels about being in control of the team at the time of one of his men dying. Jace: Oh yeah absolutely. Jace: It’s the perfect sort of macro metaphor for this entire season, and this episode particularly. Jace: My favorite headline on the subject is courtesy of the Oxford Mail quote, ‘Endeavor’s Shaun Evans spotted with mustache. Alcohol, perhaps. Cheers. That said, the driving thing behind it was, an amazing sense of achievement when it’s done, you know is one. Trewlove is gone. I was interested in that world. And to see him sort of alone, adrift, not in space, but just as sort of lonely and lost. Welcome. Is he sort of the puppet master for this season, bringing everyone together? And we have a very similar way of working, and both of us care deeply about our work but both love having a laugh, and have got a sense of humor. And to be as switched on, and as this is important for this, that’s important for that. Shaun: I mean why does Morse ultimately decide to put the sample case back in its hiding place? Shaun: What I love about it, and what I particularly love about this story, is that you’ve got the moon, this epic, macro, I mean you’ve guys going to the moon, so that exists on that one, huge level. Check out episode 2 of the documentary podcast, Making MASTERPIECE! Shaun: Yeah it certainly is. Shaun: You know, what? PBS.org. And Sarson and his crew still hadn’t picked the BBC programs they were going to air. They all were. Jace: There’s a noir-like chase sequence involving Fred Thursday assaulted when two men jump out of the shadows at him. He’s got like a really cool suit. Hosted by MASTERPIECE Studio host Jace Lacob, the three-part documentary miniseries features the inside scoop on everything from Downton Abbey to Upstairs, Downstairs, and everything in between. Terms of Use: PBS is a 501(c)(3) not-for-profit organization. He said, ‘The people who like my movies are the same people who like to look at the moon,’ and I thought, ‘God, that’s interesting!’ And there is a sense, I don’t know if anyone can relate to this, but I frequently look at the moon, and there is a sense of, it’s that weird feeling that you can’t put your finger on of being a part of something, but also being separate from something, because it makes you feel tiny and I suppose that’s what I wanted, really. So it’s kind of it’s an openness, really, I think, and also not making it about you, making it about the story, making it about the scene. I think the best way to work is to create an atmosphere where everyone can do good work. So that wasn’t difficult. Robin Ellis Robin Ellis. Just like Fred Thursday there’s still a lot of good left in him. But it just feels like an extension. And how should we read that final moment in this first episode when Morse looks to the altar — the cross and the stained glass window. He’s small. Shaun: Well it’s twofold really it’s like. Roger is also a producer on the show as well, so we both care deeply about it. Then on the middle level, you’ve got us, the characters interplaying and doing their normal stuff, and then on a micro, you have this, these puppet characters also working on a moon base. Endeavour: Then what warrants the attendance of CID and an officer of senior rank at a common or garden RTA? Also to get the shot that I wanted, it would have been tricky to have him, to have me asleep in the back of the car or in the front of the car. That’s what I was trying to achieve with it. Check out new podcast, Making MASTERPIECE! His special documentary podcast on the history of the show, “Making MASTERPIECE,” will be released on Sunday. I went and did another two episodes, and it finished. So yeah, that’s a very accurate description. Shaun Evans: You know where everyone needs to be in order to service the story, so then it’s kind of thrilling to have the opportunity to decide where the camera goes and to tell the story from another point of view. Endeavour: He’d hidden it at St. Christopher’s. I seem to remember Morse asleep in the back of the police car in at least one draft of Russell’s script for this. It was I thought that was a heartbreaking moment. And so if you create an atmosphere of lightness and joy and freedom to be creative, then you’re sort of halfway there. But whilst also trying to be the spine for everybody else’s story as well, you know? Jace Who are you and what do you do? Laura Linney My name is Laura Linney, and I’m an actress. And I like all of the components about how it’s made, especially something like this, so when we first begun the job, all of the lads knew — I mean I’m a writer, I’m a photographer, so like all of the people who make it knew that my interest was greater than walking in, doing my lines and leaving. Listen for exclusive interviews with the cast and crew of your favorite shows. Shaun: Thank you very much my friends. They still have utility. So actually I suppose, yeah we’re saying the same thing. I didn’t know that’s what I was doing, but that’s what I was doing. It’s a pushing away. For 50 years, MASTERPIECE Theatre has been home to groundbreaking series like Sherlock and Downton Abbey, Prime Suspect and Jewel in the Crown. We’re covering five decades of MASTERPIECE history in three episodes — where MASTERPIECE came from, how it changed television, and what it still has in store for its 50th season. Bright: Asleep at the wheel possibly? But you were right. 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