Robert Krulwich:                     Here he is again. Jesse Thorn:                            She then responds in almost the same way every time. Melanie Thernstrom:              Dying down. By submitting your information, you're agreeing to receive communications I've left my life in Puerto Rico behind and now live in Baltimore. Christine Campbell:                 She had left me a voicemail, something like, "Hey, Christine, it's mom. In Laughing Gas by P.G. Robert Krulwich:                     That's it. (According to this interesting Radiolab podcast, hearing is our fastest sense.) Jad Abumrad:                          Wow. Craig Smith:                            They are worms. This is the composition that was awarded 2014’s Pulitzer Prize in Music, for what it’s worth. Did a bunch of tests on you. You can't change the rules. Kristen Schaal:                        Repetition, Jad. Jad Abumrad:                          Woah! Robert Krulwich:                     And you're supposed to be able to prove every true thing, says Steve. Jad Abumrad:                          Covering the bones of the whale? Melanie Thernstrom:              Let me keep going in that kind of feeling. He doesn't know he's almost right at the time. Melanie Thernstrom:              I was reading a lot about self-inflicted pain and religious rights. Sean Mackey:                          Chief of the Stanford Pain Management Division. Kristen Schaal:                        Are you ready? Ernie:                                      Mm-hmm. Instead, we give a visual metaphor. All we can do is check each even number. Steven Strogatz:                      Then Humphrey says, "Let me check if I got that right.". Jad Abumrad:                          He was also maybe… A little bit off. They get it like, "Oh, they're just gonna do that.". Jad Abumrad:                          You say that over and over. Because in math, things are either provable or unprovable. These are like my old –. And you find creatures living on them that you don't find anywhere else. She was in upstate New York at a country house on a date. Jad Abumrad:                          So you were looking at yourself, looking at yourself, looking at yourself, looking at yourself? Sean Mackey:                          That's confusing to everybody. Jad Abumrad:                          At a certain point, he got into paradoxes. William Basinski:                     All right. I had heard of this avant-gard music called “The Disintegration Loops” before but never really paid them any attention. Count the fish. Robert Krulwich:                     With the following rules. Jad Abumrad:                          She has written a book about Gödel. William Basinski, The Disintegration Loops, dlp 1.1, live at The Metropolitan Museum of Art (Temporary Residence, 2012) MONO, For My Parents (Temporary Residence, 2012) Johann Johannsson, The Miners’ Hymns live at the Winter Garden (WQXR, 2012) Jonny Greenwood / Gyorgy Ligeti / Glass-Bowie-Eno (NPR, 2011) Rhys Chatham, A Crimson Grail (Nonesuch, 2010) Kurt Braunohler:                     Really not funny. Originally released a year after the increasingly iconic The Disintegration Loops, a decade later, Melancholia still stands as William Basinski's second most beloved album. Alex Bellos:                             Okay. Jad Abumrad:                          Like really relaxed. Mary Sue Campbell:                It was summertime. Robert Krulwich:                     All at once? The world has changed. Like if you fast forward…. Steven Strogatz:                      Those are both prime numbers. Jad Abumrad:                          I’m Jad Abumrad. Jad Abumrad:                          Well, that's what you would think. Steven Strogatz:                      Mm-hmm. There was profound mystery forever. Jad Abumrad:                          The story starts way back with a guy named. William Basinski:                     Put it on. So I was not settled in onto what kind of martyr I was. Steven Strogatz:                      As far as just to set it up here, it's two people working at the Furry Arms Hotel, there's Humphrey –, Humphrey:                             All right, Ingrid –. Lynn Levy:                               Right? Finally, they talk to a woman who got to watch herself think the thought that she was watching herself think the thought that she was watching herself think the thought that ... you … The musical phrase pushes its way forward, distorted into a slow warble. Jad Abumrad:                          What's strange is the repetition, like we started that last clip you heard with her saying this. Mary Sue Campbell:                This is Mary Sue Campbell. Melanie Thernstrom:              Every day. Robert Krulwich:                     Things that happen over-, Jad Abumrad:                          And over-, Robert Krulwich:                     And over-. Robert Krulwich:                     I think you could ruin an afternoon or maybe you have to wait for a couple of hours, like after lunch before you go swimming. Jad Abumrad:                          Positive feedback loop. Melanie Thernstrom:              Growing. Steven Strogatz:                      Spark plugs. Jonathan Vlahos:                     And see if the output ever varies and –. Jana Levin:                              It's very, very clever. Craig Smith:                            The whale is beginning to look pretty dilapidated, little bits of whale soft tissue get implanted in the sea floor. She joined Said the Gramophone in 2015. The deepest thing of all is what today we call sets. Sean Mackey:                          Anxiety, depression. That is WIX.com/radiolab. Craig Smith:                            This is in 1982. In 2018, by the time President Trump shrugs off what's happened in Puerto Rico, it's like some type of repeat of what's been happening for years already. And Akiba said, "All my life, when I said those words, you shall love the Lord, your God with all your heart, with all your soul, I was sad because I thought when shall I be able to fulfill that command? Maybe that they are living as fugitive species. They're hotel keepers and Ernie is in the background. You know? Christine Campbell:                 She can't remember. That's a different kind of first date. Steven Strogatz:                      I'm good. Jad Abumrad:                          Was this your idea or was this his idea? Robert Krulwich:                     Transient global... Jad Abumrad:                          How did those words hit you? Humphrey:                             Does it work on other stuff? In India, everything and nothing was the same thing. That's my mom through and through right there. Kurt Braunohler:                     (Singing). Ernie:                                      Three, four, five, six fish. I was raised in Novato in the house that said [inaudible 00:07:56]. “I’m recording the life and death of a melody,” Basinski said in a 2011 Radiolab interview. This statement is unprovable. Well done, sir! William Basinski:                     Like the attacks and the accents. Emma Healey writes poems and essays in Toronto. Okay." That I believed that I would have no pain and that I was protected by my faith. Kristen Schaal:                        I'm just like, "Looking at you. It's late summer 2017, and I don't watch more than a few minutes of Facebook Live feeds, showing Hurricane Maria's winds first rip through the Virgin Islands and then Puerto Rico. I love problems. Kurt Braunohler:                     (Singing) And Kurt Braunohler. Craig Smith:                            The smell of a dead whale is - you have to experience to know what it's like. Craig Smith:                            They grow quickly, produce hundreds, thousands, maybe even millions of larvae that they then broadcast out into the water column. Robert Krulwich:                     That threw mathematicians all over the world…. Robert Krulwich:                     But Bertrand Russell, the guy who came up with all this, he didn't lose faith. It usually lasts between 1 and 24 hours and we're not sure what causes it. Mary Sue Campbell:                I say the same thing for two and a half hours? It is kind of a cartoon flame, but it looks realistic. Melanie Thernstrom:              It was our first date, and I wanted to impress him. Jad Abumrad:                          They smell the whale? Yep, you're at home doing some gardening. Lynn Levy:                               He heard there was a dead whale floating off the coast of San Diego. Christine Campbell:                 Hi. Robert Krulwich:                     So, Goldbach's conjecture says that you can always write any even number as a sum of two prime numbers. Some days ago, prompted by an online friend, I started listening to William Basinski’s “Disintegration Loops”. It does. The two chords are nice and consonant and comforting, but you're still trapped there. Seated inside the Metropolitan Museum of Art’s iconic Temple of Dendur, the Wordless Music Orchestra performs Maxim Moston’s arrangement of the first reel of The Disintegration Loops. Like say, 12. Jad Abumrad:                          For a while it was looking pretty good. Jad Abumrad:                          Like if you whack a toe, the signal shoots up some nerves in your leg, into your spine. Jana Levin:                              Gödel. It's the right side. But I did feel like, "Okay, so one way to describe it is faith. Okay Do you know? Speaker 34:                             Eli Greenhoe. I comfort myself that my family will get through this, they have to get through this. Christine Campbell:                 Oh, god. The music cracks, falters, surfaces again out of the background hiss. in etwa: Bandschleifen des Zerfalls) ist ein Konzeptalbum des amerikanischen Klangkünstlers William Basinski und wurde 2002 auf seinem Label 2062 Records veröffentlicht. Craig Smith:                            It's really putrid. Jad Abumrad:                          It's often at this point, right after creepy, that she resets. I mean, every single time when I watched it. Like you think, "Well, okay. Christine Campbell:                 She says, "There's a strange black truck on the driveway," which is the truck that belongs to her boyfriend that has been parked there for 10 years. Lynn Levy:                               Yeah. So in this case, the set is a town –. Jad Abumrad:                          A few hours later, her memory began to extend into Monday morning. It's Tuesday. Jad Abumrad:                          Hello. We're in a town where everyone who doesn't shave himself is shaven by this barber. You can put a couple of hagfish into a bucket of water and kick it and they can produce enough mucus to essentially turn the bucket of water into something like gelatin. It's late summer 1998. I mean, this can't happen that often. I have a l'appele du vide moment as I stand, in the rain and wind, expecting a sheet of metal to slice down into me from the eerie green glow of the clouds. Steven Strogatz:                      Then he spent a long time trying to make a theory. He starved himself to death. Jana Levin:                              He had real breaks with reality. This is as devastating for even just counting. : would n't even need a human being so one way to describe music added revised! 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